Here are some of the documentary DVDs we have in the Library. You can also search for other titles or directors on Discover - select Video on the Format limiter after searching. Many documentaries will be shelved with DVDs on the subject area that the documentary is about rather than in the film section.
A class number (sometimes called a class mark) is a series of numbers and/or letters found on a resource which indicate its subject area and its position on the library shelves. Books about the same subject are assigned the same class number. You'll find the number on the spine of each book. Here is a selection of class numbers for documentaries:
| Class Number | Subject |
|---|---|
| 070.18 | Documentary making |
| 302.23072 | Media and communication research |
| 791.43 | Documentary film scriptwriting |
Here are some of the books we have in the Library about documentary making. You can also search for other titles using Discover.
100 British Documentaries by Ever since John Grierson popularized the term "documentary," British non-fiction film has been renowned, sometimes reviled, but seldom properly appreciated.100 British Documentariesprovides a uniquely accessible, occasionally provocative introduction to a rich and surprisingly varied tradition by considering 100 examples taken from across a century's worth of output. The 100 films range from the Victorian period to the present day. Alongside such classics asNight MailandTouching the Voidare documentaries that illustrate the many uses to which it has been put--from pro-gram-filler to political propaganda to classroom teaching aid--and the many styles and viewpoints it has embraced. While the focus is on the documentary "film," several television productions are included, indicating how the genre has developed on the small screen.
Adventures in the Lives of Others: ethical dilemmas in factual filmmaking by Putting readers into the shoes of film and TV professionals, Adventures in the Lives of Others is a gripping insider's account of ethics, problem-solving and decision-making at the cutting edge of documentaries and factual television. Both accessible and authoritative, the book brings together a range of intimate, candid accounts of the struggles involved in making documentary film and television, from Grey Gardens and Hoop Dreams to Man on Wire, Super Size Me and Benefits Street. Contributors include legends of the documentary world, eminent filmmakers at the top of their game, emerging directors and producers, and some of the world's most powerful and respected executives. In specially-commissioned pieces, they explore the ethical dilemmas involved in uncovering secrets and breaking taboos, accessing closed and dangerous worlds, fighting injustice, filming raw sex and violence, documenting acts of evil, and the many challenges of turning real life into compelling entertainment.
Directing the Documentary (6th ed.) by Directing the Documentary, Sixth Editionis the definitive book on the form, offering time-tested principles to help you master the craft. Ideal for documentary courses as well as aspiring and established documentary filmmakers, this book has it all, with in-depth lessons and insider perspectives on every aspect of preproduction, production, and postproduction. Focusing on the hands-on work needed to make your concept a reality, this new edition covers it all, from the fundamental to advanced elements of directing and more. It includes dozens of projects, practical exercises, and thought-provoking questions, and provides best practices for researching and honing your documentary idea, developing a crew, guiding your team, maintaining control throughout the shoot, and much more. This new edition features: A two-stage cinematic learning process: camera observation skills, then advanced storytelling Dozens of real-world exercises and case studies to demystify production processes and enhance your skills Easy-to-comprehend guidance in the creative, technical, and artistic aspects of directing Fresh coverage of the latest filmmaking technology Expanded sections on grant writing and fundraising, emphasizing proposal and pitching skills A self-assessment of your interviewing skills and expanded coverage of narration-writing A companion website (www.directingthedocumentary.com) that includes handy production checklists and forms, updated projects, exercises, and video examples In Directing the Documentary, Sixth EditionMichael Rabiger combines expert advice on the storytelling process and technical aspects of documentary filmmaking with sound commentary on the philosophical underpinnings of the art, providing the practical and holistic understanding you need to become a highly-regarded, original, and ethical contributor to the genre.
Documentary storytelling: creative nonfiction on screen (4th ed.) by Documentary Storytelling has reached filmmakers and filmgoers worldwide with its unique focus on the key ingredient for success in the growing global documentary marketplace: storytelling. This practical guide reveals how today's top filmmakers bring the tools of narrative cinema to the world of nonfiction film and video without sacrificing the rigor and truthfulness that give documentaries their power. The book offers practical advice for producers, directors, editors, cinematographers, writers and others seeking to make ethical and effective films that merge the strengths of visual and aural media with the power of narrative storytelling. In this new, updated edition, Emmy Award-winning author Sheila Curran Bernard offers: New strategies for analyzing documentary work New conversations with filmmakers including Stanley Nelson (The Black Panthers), Kazuhiro Soda (Mental), Orlando von Einsiedel (Virunga), and Cara Mertes (JustFilms) Discussions previously held with Susan Kim (Imaginary Witness), Deborah Scranton (The War Tapes), Alex Gibney (Taxi to the Dark Side), and James Marsh (Man on Wire).
Documenting the documentary: close readings of documentary film and video by Originally released in 1998, "Documenting the Documentary "responded to a scholarly landscape in which documentary film was largely understudied and undervalued aesthetically, and analyzed instead through issues of ethics, politics, and film technology. Editors Barry Keith Grant and Jeannette Sloniowski addressed this gap by presenting a useful survey of the artistic and persuasive aspects of documentary film from a range of critical viewpoints. This new edition of "Documenting the Documentary" adds five new essays on more recent films in addition to the text of the first edition. Thirty-one film and media scholars, many of them among the most important voices in the area of documentary film, cover the significant developments in the history of documentary filmmaking from "Nanook of the North" (1922), the first commercially released documentary feature, to contemporary independent film and video productions like Werner Herzog's "Grizzly Man "(2005) and the controversial "Borat" (2006). The works discussed also include representative examples of many important national and stylistic movements and various production contexts, from mainstream to avant-garde. In all, this volume offers a series of rich and revealing analyses of those "regimes of truth" that still fascinate filmgoers as much today as they did at the very beginnings of film history. As documentary film and visual media become increasingly important ways for audiences to process news and information, "Documenting the Documentary" continues to be a vital resource to understanding the genre. Students and teachers of film studies and fans of documentary film will appreciate this expanded classic volume.
A New History of British Documentary by A New History of British Documentary is the first comprehensive overview of documentary production in Britain from early film to the present day. It covers both the film and television industries and demonstrates how documentary practice has adapted to changing institutional and ideological contexts.See also the more general film journals, many of which will contain articles on documentaries and documentary filmmaking.
Online TV and radio recording service. You can choose and record any broadcast programme from over 65 TV and radio channels. These channels include BBC 1, BBC 2, ITV, Channel 4, Channel 5, BBC 4, Film 4 and radio channels including Radio 4 and lots more. The recorded programmes are then kept indefinitely and added to a growing media archive of at over 2 million programmes.
Available in the UK. If you are in a non-EU country, the licence and associated exceptions in law do not apply and you may not access BoB content, even if you are an authorised user in the UK.
Provides award-winning documentaries with relevance across the curriculum—race and gender studies, human rights, globalization and global studies, multiculturalism, international relations, criminal justice, the environment, bioethics, health, political science and current events, psychology, arts, literature, and more. It presents points of view and historical and current experiences from diverse cultures and traditions world-wide.
